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Fine Art and Music
Faculty
MFA Program
Courses
Disclaimer
Director School of Fine Art and Music Mary Cyr (201 Zavitz Hall, Ext. 8452)
(E-mail: mcyr@arts.uoguelph.ca)
Graduate co-ordinator Suzanne M. Lake (409 Zavitz Hall, Ext. 4840)
Graduate secretary Patricia MacPherson Law (204 Zavitz Hall, Ext. 3988)
patlaw@arts.uoguelph.ca
Graduate Faculty
James Carl BFA Victoria; Dip. Beijing, McGill; MFA Rutgers - Assistant Professor
Suzanne M. Lake MFA Concordia - Professor
Jean Maddison Dip. AD Coventry College of Art, England; MFA, Royal College of Art (England) - Assistant Professor
Monica Tap BFA and MFA, NSCAD - Assistant Professor
Laurel Woodcock BFA Concordia, MFA Nova Scotia College of Art & Design - Assistant Professor
Additional Faculty in Art History
Susan Douglas BA Western, MA Carleton; PhD Concordia - Assistant Professor
Hendrik J. Horn BA British Columbia, MA, PhD Yale - Professor
W. Chandler Kirwin BA Princeton, MA, PhD Stanford - Professor
Gerta Moray Dipl“me de Langue et de Civilization Fran‡aise Lyon, MA Oxford,
Postgraduate Diploma Courtauld, PhD Toronto - Associate Professor
Associated Graduate Faculty
Margaret Priest MA RCA London - Professor (retired)
Special Graduate Faculty
Mary Cyr BA, MA, PhD California (Berkeley) - Professor and Director
Patrick J. Holland BA Victoria (Wellington), MA Auckland, MA, PhD McMaster - Associate Professor
Peter Johnston BFA Queen's, MFA Guelph - Sessional Instructor
David Moos BA McGill, MA, MPhil, PhD Columbia - Wichita State University
Daniel O’Quinn BSc, CHS, MA Western Ontario; PhD York --Assistant Professor, “SLAPSIE”
Donna Pennee BA, MA Guelph; PhD McGill --Associate Professor, “SLAPSIE”
Edward Phillips BA Amherst, MA, MPhil, PhD Yale - Associate Professor
Reinhard Reitzenstein Dip., OCAD - Artist
Tony Sherman Dip. Painting, Bynam Shaw (England); MFA Royal College - Artist
Stephen Schofield BFA York, MFA Concordia - UQAM
Ron Shuebrook BS, MEd Kutztown (Pennsylvania), MFA Kent State (Ohio) - Ontario College of Art and Design
Howard Spring BFA, MFA York, PhD Illinois
Ann Wilson BA, MA, PhD York --Associate Professor, “SLAPSIE”
Mary Woodside BA, BMUS McGill, AM, PhD Chicago
MFA Program
     The MFA program in the field of studio art offers specializations in drawing, painting,
printmaking, sculpture, and alternative practices. Though emphasizing studio practice, the
program includes courses in art theory, criticism, history and pedagogy. A thesis exhibition
is also required. The objective of the program is to prepare students as professional artists
and artist-teachers.
     The MFA is intended to represent a high level of professional
competence and personal originality in the informed practice of a studio discipline. In
response to the numerous and divergent approaches to the making of visual art, the MFA
program provides an individually oriented education that is primarily concerned with the
development of independent studio work while encouraging a critical awareness of the
cultural context and its ideological complexities.
     In addition to their intense involvement
with studio practice, students will be required to demonstrate their pertinent knowledge
and judgment about the visual arts in presentations, discussions, and written papers within
the required coursework.
Admission Requirements
     Admission to the master of fine arts program in studio art may be granted on the
recommendation of the School of Fine Art and Music to:
- the holder of a BFA degree (honours equivalent), or an honours BA (or its equivalent
in fine or visual arts);
or
- in exceptional cases, the holder of a degree in another field who has completed a
minimum of six one-semester courses in fine or visual art; or
- a student who has satisfied the requirements for transfer from the provisional-student
category.
Specific Application Materials for Admission. Each applicant must submit the following:
- A slide portfolio of 20 recent works or other documentation of artwork.
- A single-page statement that outlines the applicant's career objectives and reasons for
wishing to study in the University of Guelph's master of fine arts program in studio art.
- Letters of reference from two studio professors.
The applicant must have taken a
significant proportion of coursework from at least one of the professors. An acceptable
alternative to one such letter may be from the department chair on behalf of the
department in which the applicant has studied, or from a professional in the field
who is familiar with the applicant's abilities.
     It is highly recommended that applicants complete at least eight semesters of courses in
art history, cultural studies, or related areas prior to applying. Serious interest in, and
substantial familiarity, with contemporary issues in the visual arts is expected.
Degree Requirements
     The MFA degree at the University of Guelph requires the attainment of a professional
level of studio practice, and a sophisticated awareness of contemporary discourse in visual
arts as well as a detailed knowledge of the selected field of specialization. Each degree
candidate will complete a thesis. The MFA thesis consists of an exhibition, a brief
supporting paper, and an oral examination.
     The following are some of the specific degree
requirements for the MFA degree in studio art (The complete MFA degree regulations are
to be found in the Degree Regulations section of this calendar):
- Minimum Duration.
The minimum duration is at least four semesters of full-time
study.
- Prescribed Studies.
A total of 10.0 credits is required for the completion of this
program. In addition to individually oriented studio courses, students are required to
complete four MFA seminars; two graduate art history, theory and criticism
courses; and two teaching practicum courses. A maximum of two courses outside
the School of Fine Art and Music may be substituted for courses in art history, theory and
criticism. The courses selected must be acceptable to the school and the Dean
of Graduate Studies for graduate credit. All 12 "substantive" courses comprise the
candidate's prescribed studies, in which the student must obtain an overall average
grade of at least 'B-' standing.
- Additional Courses.
In addition to the prescribed studies, the student may
undertake to achieve satisfactory standings in ancillary courses supportive of the
special discipline. These courses may be at either the undergraduate or the graduate
level. The standings obtained in them will not affect the average grade of the
prescribed studies.
- Exhibition/Paper.
Each degree candidate must present an exhibition, performance,
or showing of their studio work, as well as a brief critical paper of approximately
1,000 words that articulates the aesthetic, historical and technical issues pertinent to
their artwork. The submitted studio work must demonstrate a professional level of
competence and a significant aesthetic investigation, as approved by the candidate's
master's examination committee.
- The Master's Examination.
At the time of the exhibition, the MFA candidate will
be expected to successfully complete a final oral examination devoted chiefly to the
MFA exhibition with reference to the supporting critical paper. This is a
school examination identified as the master's examination.
- School Regulations.
In addition to meeting the university's MFA regulations
regarding thesis format, the candidate must submit appropriate visual documentation
of the MFA exhibition as well as the supporting critical paper to the director of the
School of Fine Art and Music for inclusion in the school's archives.
Courses
Course/(Credit Value) |
Term |
Course Description |
FINA*6510 Introduction to Graduate Studio (1.5) |
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A qualifying open-studio course to determine the student's interests and level of
performance. The student will come in contact with a variety of faculty and may
choose to work in a number of areas during this period. |
FINA*6515 MFA Studio I (1.5) |
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Sustained work at an independent level under the supervision of the chair of the
student's advisory committee. Prerequisite: FINA*6510. |
FINA*6530 MFA Teaching Practicum I (0.5) |
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This course will give the MFA student supervised teaching experience in a studio
discipline. In addition, a seminar component will consider theoretical and practical
issues relevant to the teaching of studio art. Prerequisite: admission to the MFA
program. |
FINA*6531 MFA Teaching Practicum II (0.5) |
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Continuation of teaching practicum under the guidance of a faculty member. The
practicum seminar will consider theoretical and practical issues relevant to the
teaching of studio art such as educational goals, course and curriculum planning,
academic evaluation, health and safety policies, and appropriate materials and
equipment. Prerequisite: FINA*6530. |
FINA*6540 MFA Seminar I (0.5) |
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Examination of critical issues in the visual arts relevant to studio practice. |
FINA*6545 MFA Seminar II (0.5) |
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Continuation of issues examined in FINA*6540. Prerequisite: FINA*6540. |
FINA*6610 MFA Studio II (1.5) |
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A continuation of FINA*6515. Prerequisite: FINA*6515. |
FINA*6615 MFA Studio III (1.5) |
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A continuation of FINA*6610. Prerequisite: 1306610. |
FINA*6640 MFA Seminar III (0.5) |
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Continuation of FINA*6545. Prerequisite: FINA*6545. |
FINA*6641 MFA Seminar IV (0.5) |
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Continuation of FINA*6640. |
MFA Exhibition And Supporting Critical Paper |
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Upon completion of coursework, MFA candidates will mount a major exhibition, performance,
or showing of their studio work that demonstrates a professional level of competence and a
significant aesthetic investigation. A brief, critical paper will be written that discusses the aesthetic, historic, and technical issues pertinent to the exhibited artwork. |
Additional Courses |
FINA*6550 Selected Topics in Fine Art (0.5) |
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Seminar in a fine art topic in a subject to be specified by the instructor. Prerequisite:
admission to the MFA program. |
FINA*6551 Seminar in Art Theory and Criticism (0.5) |
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Selected topics in art theory and criticism with particular relevance to studio
practice. Prerequisite: admission to MFA program and permission of instructor. |
FINA*6552 Seminar in Canadian Art (0.5) |
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Selected topics in Canadian Art. Prerequisite: admission to MFA program andpermission of instructor. |
FINA*6554 Seminar in Nineteenth Century Art (0.5) |
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Selected topics of the period. Prerequisite: admission to MFA program and permission of instructor. |
FINA*6555 Seminar in Twentieth Century Art (0.5) |
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Selected topics of the period. Prerequisite: admission to MFA program and permission of instructor. |
FINA*6650 Individual Study in Art History (0.5) |
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Students will pursue special study under the guidance of a faculty member with
appropriate expertise. Prerequisite: approval of the co-ordinator of the MFA
program. |
FINA*6651 Individual Study in Contemporary Art (0.5) |
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Students will pursue special study under the guidance of a faculty member with
appropriate expertise. Prerequisite: approval of the co-ordinator of the MFA
program. |
FINA*6652 Individual Study in Art Theory and Criticism (0.5) |
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Students will pursue special study under the guidance of a faculty member with
appropriate expertise. Prerequisite: approval of the co-ordinator of the MFA
program. |
The Office of Graduate Studies has attempted to ensure the accuracy of this
on-line Graduate Calendar. However, the publication of information in this document does not
bind the university to the provision of courses, programs, schedules of studies, fees, or facilities as
listed herein. Other limitations apply.
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