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Drama Faculty MA Program Courses
Disclaimer
Director
Alan Shepard (426 MacKinnon, Ext. 53882)
(E-mail: ashepard@uoguelph.ca or hlane@uoguelph.ca)
Graduate co-ordinator
Danny O'Quinn (414 MacKinnon, Ext. 53250)
(E-mail: doquinn@uoguelph.ca)
Graduate secretary
Sharon Ballantyne (427 MacKinnon, Ext. 56315)
sballant@uoguelph.ca
Graduate Faculty
Alan D. Filewod
BAYork, MA Alberta, PhD Toronto - Professor
Richard P. Knowles
BA, MA, PhD Toronto - Professor
Harry Lane
BA Durham, MA, PhD Toronto - Associate Professor & Co-Director of the
School
Paul A. Mulholland
BA, MA Toronto, PhD Birmingham - Associate Professor
Judith Thompson
BA, Queen's, Cert. National Theatre School - Associate Professor
Ann Wilson
BA, MA, PhD York - Associate Professor
From the English Program:
Peter A. Brigg
BA Bishops, MA, PhD Toronto - Associate Professor
Daniel Fischlin
BFA, MA Concordia, PhD York - Professor
Michael H. Keefer
BA Royal Military College, MA Toronto, DPhil Sussex - Associate Professor
Danny O'Quinn
BSc, MA Western Ontario, PhD York - Associate Professor
From the School of Fine Art and Music:
Susan Douglas
BA Western Ontario, MA Carleton, PhD Concordia - Assistant Professor
Suzanne M. Lake
MFA Concordia - Professor
From the School of Languages and Literatures:
Stephen Henighan
BA Swarthmore, MA Concordia, DPhil Oxford - Assistant Professor
François Paré
BA Coll. Edouard Montpetit, BA Montreal, PhD SUNY (Buffalo) - Professor
MA Program
     The MA Program in Drama is designed
to provide an intensive introduction to graduate- level work in the
scholarly study of theatre, particularly to students with research
interest in the program's primary focus, Canadian drama and theatre.
A secondary focus is the drama and theatre of early modern (16th-
and 17th-century) England in performance. However, supervision is
available in a range of other areas, including modern British, American,
and European drama, and various aspects of performance. Students interested
in creative writing may apply to work with a distinguished writer
on a creative thesis or research project.
     Students may take courses in a variety of areas
including dramatic literature, theatre history, and theory. The required
core course, Approaches to Research and Theory, is designed to introduce
students to research methodologies, leading eventually to individual
projects using Guelph's major archival and library collections. The
theatre archives at Guelph constitute the largest collection in Canada,
with particular strengths in Ontario theatre and materials relating
to Bernard Shaw.
Admission Requirements
     The normal requirement for admission to the Drama
MA program is the equivalent of an Honours degree in drama or literature
from a recognized post-secondary institution with at least a high
second-class standing (78% or higher) in the last year of study. Students
with degrees with excellent academic records in other disciplines
will also be considered, or may be allowed to do qualifying undergraduate
courses at the University of Guelph prior to beginning graduate study.
     Applicants are not required to write the Graduate
Record Examination. In very exceptional circumstances, an applicant
may lack the required Honours BA degree but may be assessed as qualified
to undertake graduate studies in Drama on the basis of other experience
and practice. For details, contact the Graduate Coordinator. Students
wishing to enter the program normally do so in September. (Only under
exceptional circumstances may students be considered for admission
in either January or May).
     Applications from international students are
warmly encouraged, although the application procedures are somewhat
more complex. If the applicant's first degree was completed in a country
where English is not the first language, English-language proficiency
must be documented at the time of application. Sample minimum scores
are 580 for TOEFL or 6.5 for the British Council test.
Degree Requirements
   All entering MA students will register for
the joint, required two-semester course, DRMA*6010 Approaches to Research
and Theory. This course must be taken upon entrance, requiring that
entering students be registered in both the first Fall and Winter
semesters. Students may choose between two options for completion
of degree requirements:
- Course work option: the required DRMA*6010 plus five other courses,
plus either DRMA*6500 Research Paper or DRMA*6280 Independent
Reading Course
- Thesis Option: the required DRMA*6010, plus three other courses,
plus a thesis of 20,000 to 25,000 words (80-100 pages)
     Creative Writing Option: both the thesis
and the research paper may, with approval, and contingent upon faculty
availability, be completed as exercises in creative writing accompanied
by critical/theoretical commentary.
Courses
NOTE: With the exception of DRMA*6010, the content of the courses
listed below will vary according to the research interests of the
faculty involved in offering the course. Specific course descriptions
for a particular offering of the course will be available from the
Graduate Co-ordinator one year in advance of the course being offered.
Please consult the Graduate Co-ordinator for information on the
particular focus of a specific offering of any of the courses listed
below.
Course/(Credit Value) |
Term |
Course Description |
Theory and Methodology
|
DRMA*6010
Approaches to Research and Theory (1.0) |
|
Introduces methodologies of graduate-level scholarship through
a series of modules. Module 1 (required) focuses on a common text
of imaginative literature, to introduce a range of theoretical
and interpretative strategies and research tools. Subsequent modules
(of which two are required) focus on particular issues in the
study of literature and performance.NOTE: This course is offered
over the fall and winter semesters. Students must register for
both the fall and winter offerings of the course. They will receive
an INP ("in progress") grade at the end of the fall semester and
a final grade at the end of the winter semester. |
DRMA*6220
Aspects of the Theory of Drama, Theatre, and Performance
(0.5) |
|
Studies of selected theories of drama, theatre, and performance,
and of particular theoretical issues and approaches. |
Theatre History and Historiography |
DRMA*6060
Aspects of Canadian Theatre History (0.5) |
|
A seminar on selected aspects of history of theatre as a practice
and an institution in Canada. |
DRMA*6080
Special Studies in Canadian Theatre (0.5) |
|
A detailed study of some particular aspect of Canadian theatre,
providing opportunities for the student to pursue in depth an
area of specialized research. |
DRMA*6090
Aspects of Theatre in Early-Modern England (0.5) |
|
A seminar on selected aspects of the theatre of the 16th- and
early 17th-centuries in England. |
DRMA*6120
Aspects of 20th-Century Theatre (0.5) |
|
A seminar on selected aspects of theatre in the 20th century.
|
DRMA*6150
Special Studies in Theatre History (0.5) |
|
Detailed study of a particular aspect of theatre history, providing
opportunities for the student to pursue in depth an area of specialized
research. |
DRMA*6180
Aspects of 19th-Century Theatre (0.5) |
|
A seminar on selected aspects of theatre in the 19th century.
|
Dramatic Literature and Criticism |
DRMA*6020
Canadian Drama in English (0.5) |
|
Studies of Canadian scripts written in English, providing opportunities
for detailed analyses of particular writings, periods or genres
in their social and cultural contexts. |
DRMA*6040
Quebec and Franco-Canadian Drama (0.5) |
|
Studies in Quebec and Franco-Canadian scripts written in French,
providing opportunities for detailed analyses of particular writings,
periods, or genres in their social and cultural contexts. |
DRMA*6050
Special Studies in Canadian Drama (0.5) |
|
Detailed study of a particular aspect of Canadian drama, providing
opportunities for the student to pursue in depth an area of specialized
research. |
DRMA*6100
English Drama to 1642 (0.5) |
|
Studies of selected scripts from the 16th- and early 17th-century
in England, providing opportunities for detailed analyses of particular
writings, periods, or genres in their social and cultural contexts.
|
DRMA*6130
Aspects of 19th-Century Drama (0.5) |
|
Studies of selected scripts from the 19th century, providing
opportunities for detailed analyses of particular writings, periods,
or genres in their social and cultural contexts. |
DRMA*6140
Aspects of 20th-Century Drama (0.5) |
|
Studies of selected scripts from the 20th century, providing
opportunities for detailed analyses of particular writings, periods,
or genres in their social and cultural contexts. |
DRMA*6190
Special Studies in Drama (0.5) |
|
Detailed study of a particular aspect of dramatic literature,
providing opportunities for the student to pursue in depth an
area of specialized research. |
Other Courses |
DRMA*6280
Independent Reading Course (1.0) |
|
Completion of a detailed study of some particular aspect of
drama and theatre, under faculty supervision. |
DRMA*6500
Research Paper (1.0) |
|
|
DRMA*6801
Reading Course I (0.5) |
|
An independent study course, the nature and content of which
is agreed upon between the individual and the person offering
the course. Subject to the approval of the student's advisory
committee and the graduate committee. |
DRMA*6802
Reading Course II (0.5) |
|
An independent study course, the nature and content of which
is agreed upon between the individual and the person offering
the course. Subject to the approval of the student's advisory
committee and the graduate committee. |
The Office of Graduate Studies has attempted to ensure
the accuracy of thison-line Graduate Calendar. However, the
publication of information in this document does notbind the university
to the provision of courses, programs, schedules of studies, fees,
or facilities aslisted herein. Other limitations
apply.
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