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cv borsato

Diane Borsato

CV | CV PDF | Portfolio

Education

  • 2002-2003 MA / Master of Arts: Performance Studies, Tisch School of the Arts, New York University, New York
  • 1998-2001 MFA / Master of Fine Arts with distinction: Performance, Installation, Video and Sculpture. Concordia University, Montreal
  • 1992-1997BFA Honours / Bachelor of Fine Arts Dean's Honour Roll: Visual Arts. York University, Toronto

Selected Exhibitions and Performances

  • Ongoing: Videos distributed by VIDEO OUT, Vancouver.
  • Poster multiples distributed by ART METROPOLE, Toronto.
  • 2008 UPCOMING: L'Oeil de Poisson, The Hearing Eye, curated by Sebastien Clich, collaborative project with Ryan Driver, Spring 2008, Quebec City.
  • UPCOMING: FADO collaborative performance project, curated by Erika DuFreitas, Spring 2008, Toronto.
  • 2007 CAFKA 2007, Haptic, New project curated by CAFKA collective in collaboration with Cambridge Galleries, Fall 2007, Kitchener/Cambridge, Ontario.
  • Montreal Sculpture Triennial, ARTEFACT, Ile Ste. Helne/ Montreal, curated by Nicolas Mavrikakis, Spring 2007, Montreal.
  • Museum of Contemporary Art (MAC), Little Pavillions and other Follies, ARTEFACT group satellite exhibition, Summer 2007, Montreal.
  • Trampoline Hall, On Fungus, Sneaky Dee's, live performance lecture, curated by Margaux Williamson, Spring 2007, Toronto.
  • FOFA Gallery, Concordia Alumni show, Wondering How Long He Can Keep Up The World, curated by Lynn Beavis, Concordia University, Spring 2007, Montreal.
  • 1-877-ORAL-ACT, Partners, Hotline for performance documentation, Curated by Craig Leonard, Spring/Summer 2007, Halifax.
  • AGYU (Art Gallery of York University), Relational intervention, SNOWBANK, from the exhibition "in there", curated by Rhonda Corvese. Spring 2007, Toronto.
  • The Power Plant, Live component of Winter programming. Curated by Helena Reckitt. New performance, The Practical Applications of Math, and Artist Talk. Winter 2007, Toronto.
  • 2006 7a11d Festival of Performance, Bouquet, curated by Display Cult with Dave Dyment and Roula Partheniou for DO ME, on-line archive of responses to conceptual art instructions, 2006, Toronto.
  • NUIT BLANCHE TORONTO, How to Respond in an Emergency, A 12-hour performance project, curated by Kim Simon, 2006, Toronto.
  • Public Acts, Ongoing series of works curated by Christine Shaw in sites across Canada, Summer 2006, Toronto.
  • The Tree Museum, Curated by David Liss / MOCCA, Installation, Fall 2006, Gravenhurst, Ontario.
  • SAW Gallery, Police, Parliament, and Museum. Solo Exhibition/ poster series project, 2005/2006 season, Ottawa.
  • Ramfoundation, and This Neck of the Woods - Dwelling for Intervals, Video installation of Wondering How Long He Can Keep Up the World, Rotterdam, The Netherlands, Summer, 2006.
  • Muse du Temps/ Museum of Time, Psscchht, Group exhibition, Collection 05, Spring 2006, Besanon, and Paris, France.
  • Hart House, hic: Hart House Collective Installations and Interventions, Curated by Gordon Hatt, and the Hart House Installation Collective. Performance and installation of Songs for Hart House, University of Toronto, 2006.
  • ALTERNATOR Gallery for Contemporary Art, Videos about Plants, Featured artist for Annual Video Salon, Curated by David Ross. Spring 2006, Kelowna, British Columbia.
  • Vu, How To Draw Winter, Solo Exhibition, with catalogue essay by Amish Morrell, Winter 2006, Quebec City.
  • Artcite, The Moon in my Mouth, Solo Exhibiton and Visiting Artist Talk at University of Windsor, Spring 2006, Windsor, Ontario.
  • 2005 Western University, Visiting Artist Lecture and studio visits, Fall 2005, London, Ontario.
  • eyelevel gallery Moving the Weeds Around, urban intervention, Fall 2005, Halifax.
  • TRUCK Contemporary Art in Calgary, Mountain Standard Time: Festival of Performative Art, Sleeping with Cake, Fall 2005, Calgary.
  • MOIS DE LA PHOTO, How To Eat Light, Solo Exhibition curated by Martha Langfordat Occurrence, Fall 2005, Montreal.
  • TRAFIC Inter/nationale d'art actuel en Abitibi-Tmiscamingue, Spring 2005, Qubec.
  • Saidye Bronfman Centre, Decarie (Public Internvention Project) The Winter Drawings, Panel Discussion: Community Interventions: Commitments, Consensus, Conflict, Spring 2005, Montreal.
  • Brown University, Performance Studies International Conference, Being Uncomfortable, Artist Talk, Spring 2005, Brown University, Providence Rhode Island.
  • 2004 Museum of Contemporary Canadian Art (MOCCA), HOW A DEAD HARE EXPLAINS PICTURES, Curated by David Liss. Performance at Toronto International Art Fair, Toronto.
  • CAFKA - Contemporary Art Forum Kitchener (Solo Exhibition) as part of Peace of Mind: Kitchener, Ontario.
  • Gallery TPW (Solo Exhibition) WARM THINGS TO CHEW FOR THE DEAD, during Contact 2004: Toronto.
  • Sagamie National Centre for Contemporary Digital Art Printing residency: Alma, Quebec.
  • 2003 The National Museum of Fine Arts of Quebec, The Twitching Project (Le Projet Tic) Curated by Anne Marie Ninacs, Part of the Manifestation d'art International du Quebec: Quebec City.
  • Artspeak Touching 1000 People, Curated by Kathleen Ritter, for Expect Delays: Vancouver.
  • Expression Centre d'exposition de Saint-Hyacinthe Sleeping with Cake Series, Curated by Patrice Loubier, for Orange: Saint Hyacinthe, Quebec.
  • Villa Arson National Centre of Contemporary Art, Artist in residence 4 months, Fall/ Winter: Nice, France.
  • 2002 Casa del Popolo/Sala Rosa Marvelous Numbers Performance: Montreal.
  • Casa del Popolo/Sala Rosa Insects and other Vermin Performance: Montreal.
  • Museum of Contemporary Canadian Art (MOCCA) in association with Tai Chung City, How to Squeeze Good Things, The Good Place: Tai Chung, Taiwan.
  • 2001 The Agnes Etherington Art Foundation and The Royal Military College of Canada Museum Mannequin Impossible, Museopathy/Empathology: Curated by Jim Drobnick and Jennifer Fisher of Display Cult, Kingston, Ontario.
  • SKOL - Centre des Arts Actuel (Solo Exhibition) HOW TO MAKE A SCULPTURE IN AN EMERGENCY Montreal.
  • La Torre de Los Vientos Flower Project, Circus: Mexico City.
  • 2000 La Centrale (Solo Exhibition) The Self Love Project, Mois de la Performance: Montreal.
  • Saw Gallery Multiplication Feat Performance, Live Procedures Performance Salon: Ottawa.
  • Leonard and Bina Ellen Art Gallery Available for Dancing, Sentience Performance Salon: Montreal.
  • 1999Montral Arts Interculturels (MAI) drouts: Montreal.
  • Montral Telegraphe uh..ummm...ahh...stop: Montreal.
  • 48 hours 48 rooms Doing it for Love Performance, Curated by Ingrid Bachmann, (St..Denis Rooming house): Montreal.

Grants / Awards

  • Canada Council Creation Grant, $10,000, Mid-Career Level, Toronto, Ontario, 2007.
  • Ontario Arts Council Creation Grant, $5000, Toronto, Ontario 2007.
  • Toronto Arts Council Grant- Level 2, $5000, Toronto, Ontario, 2005.
  • Research and Travel Grant, Joint Committee for Contract Faculty Funding, York University, 2005.
  • Fonds Qubcois de la Recherche sur la Socit et la Culture Bursary, $60,000, Quebec, 2004, 2005, 2006.
  • Canada Council Travel Grant, Inter-Arts Section, 2003.
  • Conseil des Arts et des Lettres du Qubec Studio Grant, $8000, Villa Arson National Centre of Contemporary Art - Nice, France, 2003.
  • Canada Council Creation Grant, $10,000, Inter-Arts Section, 2002.
  • Full Tuition Scholarship in Performance Studies, Tisch School of the Arts, New York University, 2002.
  • Academic Achievement Award, New York University, 2002.
  • Canada Council Travel Grant, InterArts Section, 2001.
  • Consil des Arts des Lettres du Quebec (CALQ) Travel Grant - Ramble Collective, 2001.
  • National Language Bursary, UQAM, Montreal, 2001.
  • Canada Council Creation Grant, $10,000, Inter-Arts Section, 2000.
  • Canada Council Creation Grant, Visual Arts Section- for the Ramble Collective, 2000.
  • Dean's Honour Roll, York University, 1997.
  • Site Specific Installation Competition Winner, York University, 1996.
  • Fine Arts In-Course Scholarship, York University, 1995.
  • Jack Bush Award for Studio and Academic Excellence, York University, 1995.
  • Dean's Honour Roll with distinction, York University, 1994.

Artist Talks / Conference Presentations

  • Thames Valley University, Artist Talk, London (Reading Campus) England, Summer, 2007.
  • The Power Plant Contemporary Art Gallery, Artist Talk, Toronto, Winter 2007.
  • SAW Gallery, Artist Talk, Ottawa, Ontario, 2006.
  • University of Saskatchewan, Visiting Artist Lecture and studio visits, Spring 2006, Saskatoon, Saskatchewan.
  • University of Windsor, School of Fine Arts Visiting Artist Lecture, Spring 2006, Windsor, Ontario.
  • Western University, Visiting Artist Lecture and studio visits, Fall 2005, London, Ontario.
  • ACAD Alberta College of Art and Design, panelist for Witnessing: Art and Audience, Calgary, 2005.
  • NSCAD Nova Scotia College of Art and Design, panelist for Performance Art and Practice, Mountain Standard Time Festival of Performative Art, Halifax, Fall, 2005.
  • Saidye Bronfman Centre, panelist for Community Interventions: Commitments, Consensus, Conflict, Decarie Exhibition, Montreal, 2005.
  • Brown University, Performance Studies International Conference, panelist for Being Uncomfortable, Providence Rhode Island, Spring 2005
  • OCAD Ontario College of Art and Design, Guest presenter and panelist on Performance Documentation, Toronto, 2005.
  • Brock University, Visiting Artist Talk, St.Catharines, Ontario, 2004.
  • University of Guelph, Inter-Media department, Visiting Artist Talk and graduate student visits, Guelph, Ontario, 2004.
  • CAFKA, Contemporary Art Forum, Artist Talk, Kitchener, Ontario, 2004.
  • Discords: Social and Political Theory Consortium Conference 2004, Warm Things to Chew for the Dead, York University, Toronto, 2004.
  • York University, Visual Arts Department, Lecture and Visiting Artist Talk, Toronto, 2004.
  • National Centre of Contemporary Art, Villa Arson, Artist talk, Nice, France, 2003
  • Objects, Consumption, Desire Conference, New York University, Video screening, New York 2003.
  • Artspeak, Artist talk, Recent projects including Touching 1000 People. Vancouver, 2003
  • New York University, New Canadian Interventionist Practices, Guest lecture, Experimental Performance Seminar, (Richard Schechner), New York, 2002.
  • Concordia University, Ephemeral Materials and Local Interventionist Projects: Lecture in FFAR 2000, Montreal, 2002.
  • TongHai University, How to Squeeze Good Things: Artist Talk, Taiwan, 2001.
  • The Dynamics of Cultural Exchange, 8th Annual Conference of Italian-Canadian Writers, Artist Talk and Cake Performance, Montreal, 2000
  • Skol- Centre des Arts Actuel, Sleeping with Cake: Artist Talk, Montreal, October 2000.
  • Uncommon Senses in Art and Culture International Conference, Sleeping with Cake; A Series of Artist Projects, Montreal, April 2000
  • Concordia University, Series of Artist Talks, Montreal 1999-2000

Professional Affiliations

  • Associate of the Humanities Research Institute, Brock University, St. Catharines, Ontario. 2005 - present.

University Teaching

  • July 2007 - present Assistant Professor of Interdisciplinary Studio, tenure-track appointment, University of Guelph, Guelph, Ontario.
  • Teaching courses at both a foundations level, an advanced studio level, and at a graduate level in 2-D media, and extended media including performance, interventionist practices, and video art.
  • July 2005 - June 2007 Assistant Professor of Interdisciplinary Studio, tenure-track appointment, Brock University, St. Catharines Ontario.
  • Teaching courses at both a foundations, and an advanced level in studio, history, and theory of performance, interventionist practices, video art, sculpture and installation, and 2-D/3-D Foundations. Participating faculty teaching in the MA Program in Comparative Literature and the Arts.

Selected Articles / Interviews / Catalogues / Web

  • Tangible Acts: Touch in Performance, Jennifer Fisher, The Senses in Performance, eds. Sally Banes and Andr Lepecki , Routledge, New York, 2007.
  • Alumni Show Focuses on the Place of the Body in the Physical World, Barbara Black, Concordia Journal, Vol. 2, No. 16, Montreal, 2007.
  • Freezing my Public Art Off, by Leah Sandals, Spacing Wire: http://spacing.ca/wire/?p=1489 , Toronto, 2007.
  • Toronto's First Takeout Snowbank, Nadia Halim, The Torontoist: http://www.torontoist.com/archives/2007/01/the_snow_will_g.php, Toronto, 2007.
  • An Emergency of Passion, On Diane Borsato's Police, Parliament and Museum, Daniel Baird, SAW Gallery, 2006.
  • Exhibitionary Affect, Jennifer Fisher, n.paradoxa: International Feminist Art Journal, London, UK, vol.18, 2006.
  • Au Figurs (Work of Diane Borsato), Christine Gauthier, Art Le Sabord: Repres Visuels et Littrarires, Trois Rivires, Qubec, vol.75, 2006.
  • Carte Blanche: Photography in Canada, ed. MaryAnn Camillieri, Magenta Foundation, Toronto, 2006.
  • Quelques vivres dans la cit, catalogue essay by Patrice Loubier, Orange: L'venment d'art actuel de Saint-Hyacinthe- ed. Mlanie Boucher, Expression, Saint-Hyacinthe, Quebec.
  • Drole, poetique et eloquent, Jerome Delgado, La Presse, Montreal, September, 2005.
  • Changing the image of photography, Henry Lehmann, The Gazette, Montreal, September, 2005.
  • Comment vivre de la lumire, Bernard Lamarche, Le Devoir, Montreal, October, 2005.
  • Cover and article: Mouth Piece: Diane Borsato's synesthetic thrills launch the Mois de la Photo, Isa Tousignant, Hour, Montreal, September, 2005.
  • How to Recognize a Furtive Practice: A Users Guide, by Kathleen Ritter, Lieux et non-lieux de l'art actuel, Les ditions Esse, Montreal, 2005.
  • Amish Morrell, On Transcendent Drawings, from the publication for How to Draw Winter - Diane Borsato, VU, Quebec City, 2006.
  • Flaneuse. Vue du trottoir, Kathleen Ritter, Esse arts + opinions, Drives II Montreal, 2005.
  • Flaneuse. Vue du trottoir, Kathleen Ritter, Esse arts + opinions, Drives II Montreal, 2005.
  • How to Eat Light, Image and Imagination Catalogue essay by Martha Langford for Le Mois de la Photo, Montreal, September, 2005.
  • Toucher son but: Decarie, Un projet d'exposition communautaire, Bernard Lamarche, Le Devoir, May 2005.
  • Manif d'Art 2: Bonheur et Simulacres Catalogue, Le Projet Tic, Anne Marie Ninacs, Claude Belanger, Bernard Lamarche, Quebec, 2005.
  • CBC Radio One, The Arts Tonight, Utopian Lunch, Radio performance and interview with Nora Young, Dystopian Visions and Imperfect Worlds, January, 2005.
  • SPIRALE, Cover image from Artifacts in my Mouth, and Dossier of Diane Borsato, September/October issue, Montreal 2004.
  • The Ephemeral Collection: Public Repositories or Sites For Creative Endeavour, Joan Borsa, inObsession, Compulsion, Collection: On Objects, Display Culture, and Interpretation. ed. Anthony Kiendl. The Banff International Curatorial Institute, Banff, Alberta, 2004.
  • Touching Science: Diane Borsato's WARM THINGS TO CHEW FOR THE DEAD, Kim Simon, Gallery TPW: Photobasedart.ca, May 2004. Link at: http://www.photobasedart.ca
  • Diane Borsato: Warm Things to Chew for the Dead, Tomasz Konart, FOTOTAPETA, May 2004. Link at: http://www.fototapeta.art.pl/
  • Expect Delays: An Artspeak Intervention, Kathleen Ritter, PREFIX PHOTO, Toronto, Vol. 5, #1, 2004.
  • Push, Probe and Prove: Recent projects by Diane Borsato, CBC Radio 3, Direct Link
  • Capturing the Cinematic in Still Life, Peter Goddard, The Toronto Star, Toronto, May 2004.
  • Discreet Charm of Private Artworks, Catherine Osborne, The National Post, Toronto, May 2004.
  • How to avoid Contact overexposure, R.M. Vaughan, The Globe and Mail, Toronto, May 2004.
  • Photographic interventions in public and social space, Jessica Wyman, CONTACT Festival Magazine, Toronto, 2004.
  • Rcoltes Multiples, Nathalie De Blois, ETC Montral. #64 Montreal, Dec/2003, Jan/Feb/2004.
  • Orange, venement d'art actuel, Andr-Louis Par, (Para-Para) PARACHUTE, #113, Montreal, Jan/Feb/Mar 2004.
  • Gift: Dossier of Diane Borsato, Surfacing Journal, Vol.25, Issue 2, Toronto, 2004.
  • Manger la lune, gober l'esthtique, Jean Claude Rochefort.. Le Devoir,September, Montreal, 2003.
  • A Quiet infiltration of art into public life, Dan Rowe. The Vancouver Sun, March, 2003.
  • I'm an art object, Alexandra Gill. The Globe and Mail, Globe Review, 3. Toronto, 2003.
  • Arts d'Attitudes, Richard Martel, ed. Quebec, Inter, 2003.
  • Interview with Diane Borsato by Andrea Hunter, Richardson's Roundup, CBC Radio 1, Vancouver, 2003.
  • Interview with Diane Borsato by Katherine Gombay, Art Talks, CBC Radio 1, Quebec, 2003.
  • Museopathy/Empathology Catalogue Jim Drobnick and Jennifer Fisher, Agnes Etherington Art Foundation, Kingston, 2002.
  • How to Squeeze Expensive Pastries: 5 Performances by Diane Borsato, Diane Borsato. Tessera: Canadian Feminist Journal. Volume 32. Montreal, 2002.
  • A Week in the Woods, Residency Catalogue, Vince Tingley/Yvette Poorter, Montreal, 2002.
  • Un art a fleur de rel: considration sur l'action furtive, Patrice Loubier. Inter- Art Actuel no.81 Quebec, 2002.
  • Forms of Participation, Jean-Ernest Joos. Mix Magazine vol. 27, no.4, Toronto, 2002.
  • La Galerie: lieu communautaire? Inter- Art Actuel Elitza Dulguerova. no.80, Quebec, 2002.
  • Doing it for Love ( performance excerpt), 48hours/48rooms CD-Rom Ingrid Bachmann, Montreal, 2002.
  • How to Squeeze Good Things, Diane Borsato, Good Place -Catalogue TaiChung, Taiwan, 2001.
  • Makng Art of TaiChing's Urban Landscape, David Frasier, The Taipei Times, 2001.
  • Le Mois de la Performance, Sylvie Cotton, Racel Echenberg, Pink Link ou la Proposition Rose, La Centrale Catalogue, Montreal, 2001.
  • Avoir Lieu, Disparaitre: Sur Quelque Passages Entre Art et Ralit, Patrice Loubier, Les Commenseaux, SKOL catalogue/book, Montreal, 2001.
  • Art in The Age of Extreme Sports, Marcus Miller,Les Commenseaux, SKOL catalogue, Montreal, 2001.
  • Sleeping with Cake and other affairs of the heart, Diane Borsato. TDR (The Drama Review) New York, 2001.
  • Rolling on the Lawn, Henry Lehmann. The Montreal Gazette Montreal, 2001.
  • C'est La Faute A Michel Louvain, Nicolas Mavrikakis. Voir Montreal, 2001.
  • Performance Pastiche, by Eve McLauren. Mirror Montreal, 2000.
  • The Underworld of Performance, Skidmore. Hour Montreal, 2000.
  • Silence, Elles Performent, Bernard Lamarche.. Le Devoir, Montreal, 2000.
  • Elles Attendent Votre Performance, Jrome Delgado. La Presse Montreal, 2000.
  • Foodculture: Tasting Identities, book review, Diane Borsato. Parachute, Montreal, issue 99, 2000.
  • Work, Diane Borsato. Endnotes, Articule Special Projects Montreal, 2000.
  • L'art contemporain a MAI, Marie-ve Grin. La Presse, Montral, 1999.
  • Fictions culturelles, Drouts, Bernard Lamarche. Le Devoir, Montral, 1999.