Past Events
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The Ethics and Politics of Food presents "The Causes of Food Riots i n Haiti and Cameroon: Empirical Evidence and accounts from the 2008 food pro tests"
Presentation by Lauren Sneyd (PhD candidate Geography), Jennife
r Vansteenkiste (Phd candidate Geography) and Evan Fraser, Phd, Departmentof Geography
Light lunch served.
For details and to reserve a spot, emai
l Monique Deveaux, Department of Philosophy, mdeveaux@uoguelph.ca
Art History Speaker Series presents Dr. Keri Cronin 'Can't You Talk?': Voice, Agency, and Art in Animal Advocacy, 1875-1914
Reception to follow talk. Everyone Welcome.
SETS presents '1984: Room 101'
Tickets $8 (MTW); $10 (ThFS)
Available in advance from MasseyHall room 109 (9am-12 noon) or by calling 519-824-4120 x53147 or at the doo
r
Jill Gilbert's Final Oral Examination
PhD candidate: Jill Gilbert
Time: 1:15 - 3:30 p.m.
Thesis title: Toward a Phenomenology of Depression: Merleau-Ponty and the Plunge into the Present
ALL ARE WELCOME
Art History Speaker Series presents Dr. Keri Cronin 'Can't You Talk? ': Voice, Agency, and Art in Animal Advocacy, 1875-1914
Reception will follow talk. Everyone Welcome.
CBS Recognition Event
Private Event from 4pm-6pm. Set up begins at 3:30pm. Second Cup closes at 3:30pm.
SETS presents '1984: Room 101'
Tickets $8 (MTW); $10 (ThFS)
Available in advance from Massey
Hall room 109 (9am-12 noon) or by calling 519-824-4120 x53147 or at the door
Tourists, Snipers & the Requisitioned Hotel: Bob Davidson at THWG
The Tourism History Working Group presents Prof. Bob Davidson, University of Toronto:
The End of Secular Sanctuary: Tourists, Snipers and the Requisitioned Hotel
The talk takes place on Monday 18 November at 11:45 a.m. in Room 2020 MacKinnon Extension. All welcome! Get the flyer .pdf.
Abstract: The modern city has been gazed upon by two radical, lingering sets of eyes: those of the tourist and those of the sniper. The first takes in, sees afresh and captures; the second can control and terrorize and eliminate. In this paper, I argue that it is one of the city’s most ubiquitous and under-appreciated spaces—the hotel—that has come to bind the two. A key site of transculturation in Western modernity, the hotel acts as a zone of articulation and overlap for these seemingly opposed ways of looking. I propose that through an examination of the requisitioned hotel, in particular, one finds compelling insights not only into the way in which the act of appropriating alters spatial and scopic relations but also how it has contributed to changes in the role of the media in the theatre of war — a key element in my understanding of these gazes. From Orwell’s front-line experiences and stay in Civil War Barcelona through to Sarajevo’s brutal siege, the “War of the Hotels” in Beirut, and the overt attacks on journalists in Baghdad during the first Iraq War, one can see the alignment of the tourist's and sniper's gazes and how their apogee in that of the media has come to point to the end of secular sanctuary itself.